In Los Parecidos (The Similars) writer/director Isaac Ezban has created a loving tribute to the horror and sci-fi masterpieces of 1960s TV and film. The setup will be familiar to anyone who has ever seen an episode of “The Twilight Zone”. Onscreen text establishes that it’s October 2, 1968 as a rainstorm wails outside a remote bus station. A male actor delivers a voiceover narration in a clipped baritone in the sale of Rod Serling introducing one of the story’s ancillary characters “Martin”. Martin works the ticket counter and reads nudie magazines and listens to the radio to pass the time. A young man with shaggy hair and one hell of a beard “Ulises” is frantically trying to get to Mexico City as his wife is in labor in a hospital there. A young woman fleeing her abusive husband arrives; she too is trying to get to Mexico City to escape her abuser. An indigenous woman (possibly Mayan or Aztec) is also in the station. She is agitated and seems to be praying or performing some sort of religious rite in the corner. Meanwhile, as other characters arrive at the station, something truly bizarre begins to unfold as Martin spontaneously grows a beard and starts to morph into Ulises’ twin. From this point, paranoia and fear take over the proceedings as our stranded cast of characters try to deduce what is going on and who is responsible for it.
Fans of “The Twilight Zone” will appreciate The Similars. The vignetted photography and use of filters create a vintage look and Edy Lan’s musical score is a perfect homage to the work of Bernard Herrmann. This film really feels like a lost episode of the TV series that inspired it. Like Serling, Ezban works some political and classist themes into his story that add complexity and depth to what could otherwise be a bizarre black comedy. This film is a must see for fans of vintage sci-fi and horror and hopefully the beginning of a resurgence of this style of storytelling.